THIS NEW AFTER EFFECTS WORKSHOP WAS REALLY HELPFUL TO GET US FINSIHING AND IMPROVING OUR SILENT MOVIE CLIPS, BUT AS WELL GETTING READY TO TACKLE A HARDER CHALLENGE WITH THE NEXT TOP TEN ANIMATION. SOME OF THESE NEW TRICKS WERE REALLY USEFUL FOR MY CLIPS, THERE THINGS I DIDNT EVEN KNOW I NEEDED, BUT HAVE A HUGE IMPACT ON THE WAY THE FINAL CLIPS COMMUNICATE.
SOME NEW SHORTCUTS AND WAYS TO MANAGE AND ORGANISE A MORE CLEAR WORKING SPACE, FOR EXAMPLE LIKE "U" TO REVEAL ALL AMIMATION OPTIONS ON LAYERS, ECT
ONE OF THE ESSENTIAL THINGS THAT I LEARNT THIS WEEK WAS THE EASY EASE IN AND OUT OPTION, WHICH SOFTENS THE OVER ALL CLIP, ALLOWING IT TO MANAGE THE PACE IN WHICH THE OBJECTS FOR EXAMPLE MOVE AROUND THE SCREEN, TO GIVE IT A MORE REALSITIC TOUCH. HERE IS AN EXAMPLE I DID DURING, OF JUST SIMPLE SHAPES MOVING ACROSS THE FRAME. USING EASY EASE IN AND OUT, AS WELL AS THE MOTION BLUR WHICH IS ALSO A HANDY TOOL. I THINK CONSIDERING I HAVE USED NO RE-SETS AND DONT INTEND TO THESE LITTLE TRICKS REALLY MAKE A DIFFERENCE AND HELP THE FINAL LOOK OF MY CLIPS.
ANOTHER REAL USEFUL TIP LEARNT WAS HOW TO BE ABLE TO MANAGE THE DIFFERENT PACE OUR SELVES, TO BE ABLE TO PERSONALISE AND MAKE THEM RELEVENT TO WHAT WAS TRYING TO BE COMMUNICATED. THROUGH A REAL SIMPLE TASK MAKING AN OBJECT SWING THIS TIME. HERE IS ANOTHER VIEWING OPTION THAT I DIDNT KNOW THAT ALLOWED US TO VIEW OUR KEY FRAMES IN REALTION TO SPEED AND TIMING. THE GOAL WAS TO GET IT TO SWING AS IF IT WAS HEAVY, WHICH WAS WHAT WE TRIED TO COMMUNICATE, AND WHAT WE WAS LOOKING FOR WAS A CURVY LINE, USING THE STARTING POINT OF 0
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