Click part II

FOR THE SECOND ATTEMP I WANTED TO WORK WITH SOMETHING A LITTLE MORE COMPLEX THEN THE ONE BEFORE, AS IT REALISED IT WASNT AS HARD, AND REALLY WANTED TO MKAE IT WORK, I WAS REALLY HAPPY WITH IT AND THINK THE VISUAL LANGUAGE OF MOVEMENTS COMMUNICATE THE WORD WELL, WHICH WAS THE ONE I HAVE BEEN MOST STUCK ON OUT OF THE THREE, BUT ARE NOT ENJOYING THE MOST. FOR THIS ONE I USED EACH SQUARE ONE BY ONE ON A LAYER AN OR A PAIR TOGETHER AT MOST. 

BECAUSE I HAD MORE LAYERS I DECIDED TO DO SOMETHING WHICH WAS SO OBVIOUS I DIDNT KNOW WHY I DIDNT BEFORE, WAS TO GROUP THEM. LUCKY ENOUGH AFTEREFFECTS ALSO IMPORTS THEM WITHIN THEIR GROUPS AND IT THEN ALLOWED ME TO WORK ON THEM LETTER BY BETTER AND KEEP THINGS MORE SIMPLE AND ORGANISED. 

EVERYTIME I DELETED A SECTION I ALSO NEEDED TO REMOVE IT FROM THE ORIGINAL SOURCE WHICH I WAS USING AS A BASE FO PLACEMENT, BUT I AFTER REALISED THAT NOT LIKE THE LAST ONE THIS ONE DIDNT LEAVE ANYTHING ONCE THEY ALL CAME OFF THE SCREEN. SO I DIDNT NEED TO, WHICH MADE THINGS HARDER TO GET THEM IN THE RIGHT POSITION TO START OFF WITH. 

HERE ARE THE LAYERS IN BOTH PHOTOSHOP AND AFTEREFFECTS. 

THE PROBLEM WAS EASILY SOLVED ONCE I DECIDED TO START OF THE ANIMATIONS OFF THE SCREEN AND PUT THE POSITION TIMER ONE ONCE THEY HAD BEEN AND THEN CONNECT THEM ONE BY ONE TO MAKE A LETTER, IT WAS VERY VERY TIME CONSUMING.